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Film Analysis: Sleaford Mods' Jason Williamson Takes On Role in Critical Look at Ecstasy Generation Era

Helmed by Bristol sound co-founder Geoff Barrow, this scabrous if undernourished first film casts a critical gaze on 90s rave culture. Venal pillhead David (the actor) initially steals from an passed-out supplier, then in a later recollection tries to burgle his own family home. Before you can say, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Declining to free David, with impatience toward city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Confrontation

Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The central theme – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these brief episodes are too thin to adequately prepare us for what to expect when the Woodsman arrives, fuming after David strangles his dog. Still, a grimly amusing standoff unfolds – David desperate to escape; the Poacher denying his container of cider, intent on soaking him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.

Stylish Imagery and Promo-Inspired Vibe

There is only one important plot development, but it results in a comically executed rampage on the woodland paths that dips close to rural terror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full lysergic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.

Game releases in British and Irish cinemas from November 17.

Written by

Christian Thompson

Elara Voss is an independent art critic and curator based in Zurich, specializing in modern European art and digital media expressions.

Kunstjournal24

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